Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
非常非常推荐，最后消灭坏人以后在船上那一幕堪称神来之笔👍🏻
维瑟米尔是杰洛特如父亲一般存在的人物，值得为他出一篇前传，但是这个故事改编的非常糟糕。虽然从人物塑造上和剧情发展上没啥问题，但是几个基础的猎魔人设定都错了，猎魔人诸多学派被抛弃了，青草试炼被泛化成为创造怪物的手段，而女术士的复仇更是扯淡（术士本身也没有后代），所以看完之后我只觉得生气。
好像是大超演的美剧《猎魔人》的动画版。以前没看过这部小说改编的影视作品，这回对这个故事有了大概的了解。猎魔人是改装强化人类，不仅武力强劲以猎杀怪物为生，而且衰老得特别缓慢。普通人类在女巫的怂恿下利用魔怪向猎魔人发动了攻击。动作戏还是设计得比较漂亮的，流畅又帅气，画风硬朗，画面血腥，比较成人向的动画。
音效真是拳拳到肉，看得我真怕后面突然冒出一个人，真的太吓人了。最后的反转真是又现实又讽刺。尼玛小蓝推荐得很好，下次不许推荐了。集合了我所有不喜欢的点，婚姻矛盾、暴力血腥，真是太合我胃口了呕！
没想到游戏里的糟老头年轻时的故事也那么引人入胜，其实“巫师”这个文学作品如果能找到一种好的呈现方式，绝对不输“权游”或“魔戒”~
“去他妈的长发蠢货，把票投给绿党，爱操树的臭环保主义者。”
这么简单的故事硬生生用血浆和互虐撑到了两个小时，前半段的夫妻戏和黑色幽默好看
看得蛮开心，又有血腥暴力，cult十足，只是男主还真是废柴啊，地下室自由以后不救妻一段真是费解
无粉丝滤镜，只看过大超版的真人剧。
北欧犯罪题材电影一以贯之的血腥暴力，连血浆都是我见过最真实的。还有同样硬核的北欧语。
讲诉了 猎魔人城堡为什么成为了一座废墟和猎魔人的起源。有一场BOSS战是猎魔族大战反猎势力。但是打戏整体来说，并不强。文戏的话，也偏弱。
对于一个原著和游戏的粉丝来说，意外的好看和感动，结局很浪漫。打斗戏很有恶魔城的感觉，分镜很棒。剧情虽然简单，结合起维瑟米尔在游戏里的结局，这样的过去实在让人唏嘘不已。
画风有点像爱死机的hunt
這是一部很有趣的恐怖喜劇，屬於黑色幽默風格，總的來說很有意思，環環相扣，反轉很多，就是結局我不太喜歡。
太疼了...好奇最后的黑人男主演是内涵zzzq？？
后半段真的是开始好看了，前面各种桥段后面都有对应，看着又疼又欢乐
看完才意识到这是讲白狼杰洛特老师的故事，游戏我新手村都没出，讲评游戏的视频看过不少了。影片看到中途才搞清楚角色时间线，有丁点《吸血鬼猎人D》的气味，这是“似曾相识”的感觉
3:动画制作组忘了一个很严重的bug 那就是猎魔人在接受了青草试炼后就丧失了正常人的大多数情感 所以在《巫师》游戏本作中杰洛特做出选择时角色本身是没有感情起伏的 真正引发感情起伏的玩家或者说是屏幕前的观众 过多的感情线是剧本最大的败笔之一 最后维瑟米尔老爷子猛男落泪那段真让我蚌埠住了 事实上完全有更好的呈现方式
夫妻闹矛盾别插手，因为他们会搁置争议来对付你
3，“置之死地而后生”，真理诚不欺世人。
Copyright © 2015-2023 All Rights Reserved
