“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
有笑有泪 演员们演技很好
冲着达叔看的，这是他最后的电影了，虽然几乎没啥戏份，但真的拍得很不错，除了演员长得不咋地，演技可以再好些，但剧情没有拙劣的模仿老版，没有尴尬的恶搞，可以把其它翻版吊起来打的程度，愿意给高分，编剧非常赞！
不就是闪电侠+快银这种超能力吗。金凯瑞这么老了，满脸皱纹呐。
太多意识形态层面的东西 又只局限在层面 从里到外透露着一股傻气 明显不如上集
20/7/2022 @ Festival Grand。兩小時太長啦！今集雖然很還原遊戲中的設定，但故事性比上集弱太多，真人角色們只剩下搞笑的作用….
剪辑和特效有几个段落比较粗糙，情节也缺乏新意。但也仍然讲述了一个幽默风趣的冒险故事，尤其是两个高人气角色塔尔斯和纳克鲁斯的加盟，让这一部有了更多看点。
第一部还有快银式视觉奇观，公路式友情。到这一部直接躺平，剧情全面低幼化了。
蘑菇星蛋头博士红针鼹，超级英雄工作，绿丘镇，沃卓斯基家，钓鱼，去夏威夷参加婚礼，蛋头博士攻击，双尾狐狸，逃，去寻宝（长爪藏宝图），西伯利亚酒馆斗舞，雪山无人机大战，婚礼，小岛神庙大战，绿宝石，博士升级，机械巨人。动画部分，和大场景好看，真人部分无聊且很省钱的样子。
索尼克游戏角色悉数登场，片尾彩蛋的暗影索尼克预示着第三部。儿童向的剧情，就像过家家【两星半】
相当不错，有致敬但不照搬，至少比刘镇伟自己的续作有诚意多了。紫霞从容貌到演技都令人印象深刻。缺点是无意义的特效太多了，网大通病。
无力吐槽了，连配音也一点感情都没有，完全就是子供向而不是粉丝向
我一开始在想，这个普普通通的有着英雄梦的至尊宝有什么好喜欢的，但是看下去，才发现，这种平淡的相守，也许就是我们最终的追求。
8岁的小学生小王看的很开心。比第一部好了不少，起码不是幼儿园level了。
确实，已经是超级赛亚人之神了，何必凑齐七龙珠还变回第一阶段。
P.S.一直很好奇索尼克的速度超能力究竟有多快，怎么感觉无用的时候快成电，一到关键时刻又慢到怂？
个人认为比第一部要有意思点。
20/7/2022 @ Festival Grand。兩小時太長啦！今集雖然很還原遊戲中的設定，但故事性比上集弱太多，真人角色們只剩下搞笑的作用….
沒留意選成了粵語版，而且才知道粵語版無字幕，完全是120分鐘粵語聽力測試。。以及滿院的小朋友。。為反派摔跤、主角烏龍爆笑！爆笑！！片尾曲竟然還有小朋友站起來跳舞。。如果我年輕二三十歲，應該也很enjoy吧
神速拆车
第一个人吃的是螃蟹，第二个人来吃，就容易吃剩菜剩饭。
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