Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
题材选的不错，可惜整体做得毫无惊喜。男主长得好像张国荣
发现个穿帮镜头，1:21:48开始，华继良手里的刀开始在何世清的腋窝下，下一个镜头，又在胳膊上面了
结尾比较拉夸，强行制造悲壮，让剧情走得不是很合理
韩国为什么叫大韩民国？汉城为何更名首尔？通过这个电影就能看出，强烈的民族自卑导致了对自己的盲目自信，和对他国的畏惧而形成的刻意丑化。其实挺可悲的。
又会有新的问题
结合最近私人电话一直被各种贷款推荐电话骚扰，个人隐私看起来不痛不痒，可对某些来说，就是要了命了
题材是不错的，但是故事稍显混乱了，而且加一个中国的设定也显得多余。
看之前我以为是个历史剧，看完发现只是披着历史的外衣，内核是动作电影
谢苗在各种朝代里打外族，汉代，宋代，明朝，清朝，民国，70年代。虽然身份各异，还经常装嫩，但演起来都是一个模子，毫无演技可言，早已经审美疲劳。
暴走小事件推荐。 我们不可忘记历史，要与列强侵略者做斗争！
片里只认识姚橹和谢苗，故事不算复杂却吸引人，一口气看完了，值得四星
一部合格的动作片，但是是一部失败的历史片，7.5分吧
大题材，小格局。大背景，小视野。大历史，小商业。
“你害怕了！你害怕回忆从前。你害怕。你在意的人 在你面前死去。”
国家反诈中心宣传片，片尾可以发一下二维码升华主题
算是2021年最好看的韩影之一了，加上最喜欢的金武烈，本来应该给五星，但是抹黑中国，扣两星
打戏燃到我了！谢苗演技真不错，跟老戏骨们同台也毫不逊色。
如果在怎么诈骗上多花手笔就好了 这结尾是想要第二部吗 别了吧 不好拍
—“华继良 天都是黑的 就凭你们 亮不起来！”
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