A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
“我做错了什么？” “你生来有罪。”
连新酱都开始社畜的可怜了，很少看新酱的剧场，但确实得夸元素过多，讲的深浅易明，虽然得承认我冲着新风CP去的，哈哈。
我们看到一样的罪恶，却不一定能得到一样的结果。世界永远需要有勇气的理想主义
相当流畅的叙事手段，在印度电影里难能可贵，归根还是人物肖像片，社会性表达欠奉，关于暴力机关执法过度的问题是世界性话题，本片囿于一笼，没有过多延展，手法也过于老套，好似旧社会讽刺批判剥削阶级一样。
剧情一般但是立意非常棒！反精英至上主义，人生不能只是为了打分机器下的无脑高分！
印度人社会发展程度前现代，但文化跟随还是挺敏感，学会和美国人一样拍政治正确电影了。
主角必须毫无污点么
低种姓部落猎人拉贾坎努因盗窃嫌疑在监狱遭受严刑拷打致死的事件，在身怀六甲的妻子多方奔走之下，于高法真相大白，警方匆促破案刑讯逼供任意栽赃打死人还蓄意掩盖的可耻行径在正义律师钱德鲁的不懈追查下终无辩驳，穷人要的不止是判决，还有希望。
可以说这部是自臼井仪人离开以后最好的一部，好看得让人感动了，曾经剧场版的小新终于回来了，其间还有蛮多阴暗的小细节在讽刺教育行业，推理到立意都非常好看，最后一段青春是什么的蒙太奇也太燃了，我爱小新！！
有时候，我特别好奇，难道做一个坏人特别幸福特别开心？为什么要做一个坏人？晚上睡得着？吃饭很香？会有很多人爱你帮你？不理解。
低种姓部落猎人拉贾坎努因盗窃嫌疑在监狱遭受严刑拷打致死的事件，在身怀六甲的妻子多方奔走之下，于高法真相大白，警方匆促破案刑讯逼供任意栽赃打死人还蓄意掩盖的可耻行径在正义律师钱德鲁的不懈追查下终无辩驳，穷人要的不止是判决，还有希望。
到现在张口就来的种姓制，步入社会几年才算明白，在一些民智未开的地方只不过换了个看起来更高端的样子存在：士、X、工、农、X
青春真的是，太美好了！ 论主题的深邃，这一部可以和大人帝国媲美！ 青春！Fire！
印度这片土地还是有希望的，盐碱地还不知道要等到什么时候
好学院风哦 这不是平常的风间和饭团头.我果然是对爱情感应灵敏诶 一开始就看出第一名的暗恋了，并且小新和风间之间的相爱相杀的情节真是百看不厌！笨蛋和精英很有趣怎么做到情节永远这么搞笑可爱 立意还这么准确新鲜啊。拥有笨蛋的家庭也是非常幸福和难得的事哈哈哈可是干嘛说我们小新是拿屁股思考啊！青春就是和我结尾一起痛哭吧
不明白为何这种题材还要唱歌跳舞，每次男主出现的时候，后面的配乐总觉得在哪个好莱坞大片里出现过。
出乎意料的好!是仅次于大人帝国的反击的质量。好哭好燃，野原新之助，FIRE!春日部防卫队，FIRE!青春，FIRE!
可怕的种姓制度、贫富极端化的阶级固化，警察酷刑致死，印度就是女性的地狱
8.5/10。热血到窒息，那些新酱教会我的事：就算被人嘲笑，都一定要挺起胸膛向前冲！即使不断跌倒也要爬起来，因为这就是青春啊干！
“副检查员有资金、种姓基础和当地的支持，罪犯有种姓、金钱和权利支持他们，但是受害者呢？我们是他们的全部。”
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